Read e-book online A History of English Drama 1660-1900: Volume 4, Early PDF

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By Allardyce Nicoll

ISBN-10: 0521058309

ISBN-13: 9780521058308

Allardyce Nicoll's background of English Drama, 1660-1900 was once an enormous scholarly success and the paintings of 1 guy. Nicoll's historical past, which tells the tale of English drama from the reopening of the theatres on the time of the recovery throughout to the top of the Victorian interval, used to be considered by way of Notes and Queries (1952) as 'a nice paintings of exploration, a close advisor to the untrodden acres of our dramatic heritage, hitherto mostly missed as barren and with out interest'. The heritage is reissued in seven paperback volumes, on hand individually and as a suite. In volumes 1-5 Nicoll describes the stipulations of the degree, actors and executives in addition to dramatic genres. The 6th and 7th volumes supply a entire record of all of the performs identified to were produced or published in England among 1660 and 1930, with their authors and substitute titles; it has hence self sufficient price in addition to offering an index to the sooner volumes.

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L 827) are almost unique : at the end of the first scene there is a note [March strikes up, and continues till the Stage is occupied in Scene the Second, while at the close of this scene, which represents a " Forest Country, " the text runs [Music striking at the same time, which is continued in S CENE I I I. Corfe Castle on an eminence. The clicking flats of older times are mentioned in Hoskins' De Valencourt (Norwich, 1 842) : Two side scenes close in, and hide the parties1, while in the extravaganza of Valentine and Orson (Lye.

Ii. 81-2. 2 The Gentleman's Magazine, Nov. 1 83 1 , regarding a production at Drury Lane on Oct. 17, 183 1 . T H E THEATRE 27 We can understand for what audiences went to this play when we read a stage direction in the first act : The back part of the Scene disappears, and discovers THE EI�OYlIKON, or, KaAOU

Such devices as the diorama, however, were teaching men the art of the realistic setting, so far at least as landscape was concerned, and Capon continued his archreo1 It seems also that two cells with a partition appeared in Lewis' Venoni at Drury Lane in 1808. 1 Note from the playbill. 1 The " vampire-trap " was a two-leaved trap, with springs, constructed either on the stage floor or in the flats. It permitted a supernatural figure to disappear more rapidly than the older traps had allowed, the springs drawing the two leaves of the trap-door close once more and so concealing the aperture.

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A History of English Drama 1660-1900: Volume 4, Early Nineteenth Century Drama 1800-1850 by Allardyce Nicoll


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